What Picasso says about understanding art is extremely relevant to how we approach abstract paintings. Many people believe that abstract paintings should have a specific concept of some sort, which could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense about what they believe the artist was trying to say. The almost inevitable consequence of this case is that people can either feel as if they are being excluded from sharing in some secret knowledge, or alternatively conclude that Hand Painted Oil Paintings is certainly all a sham. In either case, the result is that lots of people usually do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my own paintings are involved. If I enjoyed a specific message or even a which means I was able to articulate in words, i then would articulate it in words – the painting would have no purpose. The entire reason for creating an abstract painting is that it embodies a thing that only it can, in a way that cannot be placed into words. It is not an essay it is a painting – it encompasses and expresses things in a language which is unique for the medium of paint. For this reason we need to not attempt to ‘understand’ abstract paintings in how people sometimes feel they ought so that you can.
The viewer must not look for a clear narrative within an abstract painting – it is far from planning to tell a narrative, or make reference to an outside ‘subject’ in the same manner that the figurative painting will. But that does not necessarily mean there is no meaning or no subject, or that abstract paintings cannot communicate with and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am just the subject”. Pollock’s statement is not just true, it really is inevitable.
The experiences, personality, memories and mood of the abstract artist cannot help but be fed in to the painting in the event the artist approaches the task inside an open and honest way. I do not need an external subject or idea before I could create Large Abstract Wall Art – I simply begin. The truth that I am just me without any-one else is the reason why my work different to anyone else’s, and this is also true of artists. The colours I select, the marks a make, the accidents I select to go out of, or even to obliterate, these are generally all things which i choose because of who I am just.
If you were to present many different artists with the exact same basic design on a canvas and make them pick-up a brush and develop the painting, the differences in what they would choose to do could be enormous. I actually have watched other abstract artists at the job on paintings and thought “I would personally never in a million years have selected that colour and put it there.” Not because I believe that it is wrong or bad, but as they are who they really are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are numerous great types of painting out there, as a result of a rich art history that has seen movement after movement. The term abstract art is often used a blanket term to explain non-representational art – this is the lack of recognisable subjects. Abstract art was linked to the rise of modernism over the past century, coming into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.
What brought about the qualities we percieve in abstract art? The flattening of the artist’s canvas surface is one major quality, as artists moved from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a way of recording reality, they began seeing the canvas surface being an object in its own right, using the canvas becoming a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its kfkymg qualities according to how it was handled. The paint could exhibit ‘personality’, it had its own dimensions and opened up a multitude of different techniques we percieve in artwork with the last century. One of the primary reasons artists began Contemporary Abstract Painting inside an abstract way was the opportunities for greater creativity. It allowed to get a greater variety of expression and the development of ideas that were not dependent on representing reality anymore.